Thursday, February 22, 2018
OSCARS 2017: The Florida Project (2017)
The Florida Project!” A tiny independent production from director Sean Baker, who received raves for his debut, “Tangerine,” the movie scooped up some critical praises and topped critics' top ten lists. Despite that, the only Oscar nomination the movie picked up was a Best Supporting Actor nod for Willem Dafoe. So now here comes my time to judge these things.
Moonee is six. Her mom, Hailey, is tattooed and unemployed. They live together at the Magic Castle, a motel in Kissimmee, Florida. Moonee is friends with the other kids who live there, from similarly down-on-their-luck families. As the long summer stretches on, Moonee and the others try and find ways to pass the time. Hailey, meanwhile, struggles to pay her rent on time. The motel manager, Billy, is understanding but even he has his limits. Soon, circumstances threaten to separate mother and daughter.
the weirdest fucking shenanigans. At the same time, Florida is also the home of Walt Disney World, of vacation communities and beach front property. “The Florida Project” occupies this world of contrast. The characters sum up many of the stereotypes of Floridians. They're vulgar, tattooed, lacking in class and really poor. Inane jingles and infomercials are always playing on the TV in the messy, bedbug infested motel rooms. Though Disney is never mentioned by name, the garish decorations around the motel – a shop shaped like a wizard, a smoothie stand shaped like an orange, the bright pink color of the Magic Castle – bring the Magic Kingdom to mind. This contrast, between the low class of the hotel residents and the excess of Disney World, is built into the movie's DNA.
“The Florida Project” is also about kids trying to find ways to kill time while living in a swampy slum. Moonee and her friends have to get creative. In the opening scene, they hock loogies onto a neighbor's car. They explore abandoned houses, with equally obnoxious paint jobs, in the overgrown grassy areas. They wander around a mossy field, gawking at the grazing cows. Odd friendships bloom in this environment. The film sets out to match that childish energy, of period of frantic activity and long afternoons of sitting around and not doing anything. At first, this is a little grating. “The Florida Project” begins with kids running around, yelling, screaming, and spitting. Baker frequently shoots his scenes with a shaky, handheld approach. Eventually, the viewer gets on “The Florida Project's” wavelength and starts to dig this approach.
Willem Dafoe's nomination is well deserved, by the way. Dafoe plays Billy, the motel manager. The part cast the veteran character actor as a crotchety guy with a tough exterior and a big soft heart. Derivative as that sounds, Dafoe brings him to life beautifully. He puts up with a lot from his tenants, their eccentricities and lack of funds. Though he busts their balls, he still cares. The kids especially. He lets them play hide-and-seek in his office and, in the one of the film's best scenes, protects them from a middle-age creeper. As great as Dafoe is, little Brooklyn Prince as Moonee is the break-out performance of “The Florida Project.” The young girl seems entirely natural yet clearly has an understanding of her character, in great moments where she talks directly into the camera while eating breakfast. Bria Vinaite is also impressive as Hailey, striking the audience as an entirely genuine person that doesn't have much tact but still cares deeply for her kid. (This was Vinaite's first movie. Her second role will be in Harmony Korine's next movie, which sounds about right.)
Beasts of the Southern Wild,” “The Florida Project” has attracted minor controversy for appearing to make poverty look like this whimsical thing. It's not an entirely unfair criticism, of either movie. (Though more-so “Beasts” than this one.) The film does come dangerously close to making its setting and characters look a freak show. However, a wonderful series of performance and some grounding touches keeps that from detracting too much. Yeah, this movie is pretty good. [7/10]