Wednesday, February 14, 2018
OSCARS 2018: Call Me by Your Name (2017)
Call Me By Your Name” was pegged as this year's “Moonlight,” in that it's also about a romance between two men. Directed by “I Am Love's” Luca Guadagnino, and adapted from a novel by Andre Aciman, the film is unlikely to grab Best Picture the way “Moonlight” did. However, it's an excellent movie that probably rounds out the best slate of Best Picture nominees I've seen since I started caring about the Oscars.
Every summer, Elio's family takes a trip to the Italian countryside. It's 1983 and he just turned 17. The son of an archaeologist, Elio often feels like an outcast. Jewish, intellectual, and naturally prickly, he finds the annual trips to mostly be a bore. (Even though there's a pretty girl in town interested in him.) Things change when Oliver, a graduate student, is invited to stay with the family over the summer. The two are intrigued by each other. Soon, Oliver and Elio enter into a passionate love affair. Both keep their meetings a secret. Elio soon begins to feel strong emotions for Oliver, suspecting this is more than just a casual summer fling.
a fresh peach. However, what he shares with Oliver is special. Their romance is intuitive, based on things they both feel. Both feel like they have to keep their affection secret, making their moments together even more special. This is an intimate journey meant only for the two of them. This is best represented in the titular line. By calling each other by their own names, Elio and Oliver acknowledge their secret pact.
It's also a passionate that is meant to be short lived. Elio and Oliver have their secret time together, sharing their bodies and feelings when no one else is around. Eventually, both have to go back to the real world. In a meaningful moment, Elio watches Oliver get on a train and ride away. He then breaks down in tears on the phone, asking his mom to come pick him up. “Call Me by Your Name” then makes a spotlight for probably the best movie dad of the year. Elio's father – who has been aware of the affair the whole time – explains to him to feel his heartbreak, not to lock himself off from these emotions. “Call Me By Your Name” could have ended on that note but instead includes an epilogue, set around Hanukkah. This is when “Call Me By your Name” completely opens its wounded heart up to the audience, letting loose a powerful and intensely melancholic side. The dalliances of youth are short-lived but cause ripples that last a lifetime.
“Call Me By Your Name” is not just a beautiful movie, emotionally, but also visually. Luca Guardagnino shoots the Italian cities and countryside in a loving manner. The streets of Italy are alive with people. The country areas, the fruit trees and flowing waterfalls, bring a natural beauty to the film that no production budget could buy. Adding to this beauty is an amazing soundtrack. Sufjan Stevens contributes several fantastic original songs. “Mystery of Love” is as gorgeous and full of longing as the film that accompanies it. “Visions of Gideon” rolls over the end credits, making sure their isn't a single dry eye left in the house by the time the film ends. Guardagnino also throws in some period accurate Italio disco and New Wave numbers, with “Love My Way” by the Psychedelic Furs getting an especially significant shout-out. I really like that song.
that “Suspiria” remake, Guardagnino will supposedly start work on a sequel, revisiting the characters during the AIDS era. This will probably be a worthy film but part of me wishes to leave Elio and Oliver where they are, separated but never far from each others' thoughts. [9/10]