Friday, February 23, 2018
OSCARS 2018: The Big Sick (2017)
@midnight” way more than I ever thought I would. You wouldn't think a Comedy Central game show hosted by an obnoxiously upbeat Chris Hardwicke, about slumming stand-up comics making fun of internet memes, would be worth much. Yet the series was surprisingly consistent comfort food for me. Moreover, it introduced me to a number of stand-up comics I probably wouldn't have heard of otherwise. Such as Kumail Nanjiani. While Nanjiani was never my favorite performer on that show but he's clearly on his way up. “The Big Sick” was partially based on Nanjiani's own life, especially his relationship with wife Emily V. Gordon and her struggle with illness. The film would become a surprise hit, the highest grossing independent film of 2017. It's ridden a tide of hype that has now gone all the way to the Oscars.
Nanjiani stars as himself. As a child, his devoutly Muslim family immigrated from Pakistan to America, settling in Chicago. As an adult, Kumail struggles with his heritage. He's an atheist but lies to his parents, saying he still prayers. He puts up with his mother's awkward attempts to pair him with a good Pakistani girl. He tells mom and dad he's studying to become a lawyer when he's actually pursuing a career as a stand-up comic. One night he meets Emily, a vivacious (and white) woman he quickly falls for. He refuses to tell his parents about the relationship, leading to the two eventually breaking up. That's when Emily falls into a strange illness, being put into a medically induced coma while fighting an infection. Kumail stays by her side during this, eventually forming a bond with Emily's eccentric parents.
A problem with “The Big Sick” is that it tries to do too many things. It's a film about Kumail, Emily, and the illness that nearly comes between them. It's about Kumail trying to prove himself in the world of stand-up comedy. It's also about Nanjiani struggling with his family and his cultural identity. (This last point is most evident in a subplot about Kumail writing a one-man play about his life, which digresses greatly into the history of Pakistan.) Kumail's relationship with his family provides probably the film's most stereotypical segments. It's a typical story of a son bristling against tradition and the path his parents set out for him. Now, there's some funny moments here. The terribly failed dates, with increasingly goofy women, provide some laughs. Especially in a scene where the parents discover the girl can speak Urdu. However, Kumail's parents and brother never rise above being broad caricatures.
The most minor focus of “The Big Sick” is on Nanjiani's life in the world of stand-up comedy. This allows for many small roles from Kumail's real life friends and contemporaries, essentially playing themselves. Kurt Braunohler is very funny as Kumail's stoner room mate, frequently stymied by what's happening around him. Bo Burnham shows up as the hackiest, and most successful, of Kumail's comedy friends. Aidy Bryant also appears, getting a few stray laughs to herself. “The Big Sick” focuses briefly on the behind-the-scenes turmoil of the stand-up scene though the goal everyone is gunning for – to impress a random talent scout – seems a little too easy.