Friday, July 28, 2017
RECENT WATCHES: Battle for the Planet of the Apes (1973)
without a finished screenplay. Director J. Lee Thompson, returning from “Conquest,” was displeased with what script they had. Maybe the Fox executives were aware of this. By the time “Battle for the Planet of the Apes” hit theater screens, someone had clearly decided that these monkey movies had run their course. The film was sold as the final chapter in the series. At least for now.
In the years since “Conquest's” theatrical ending, a nuclear war has leveled the western world. The cities have been reduced to rumble. Only irradiated subhuman mutants live in the ruins. Caesar has built a society in the country, where humans and apes live in an unsteady peace. Factors within Ape City attempt to undermine Caesar's accomplishments. Aldo, a power-hungry gorilla, hates humans and dreams of overthrowing Caesar. In hopes of finding information about his parents, Caesar enters the mutant's city, provoking their violence. Aldo uses this conflict as a chance to seize power.
The film's two central conflicts aren't especially compelling either. Aldo is a weak villain. His hatred for humans is vaguely defined. His earlier depiction as blatantly unintelligent doesn't pair well with his treacherous ambitions. The mutants' motivations are also poorly planned. They aren't interested in attacking apes until Caesar randomly shows up in their neighborhood. The film tries to give the mutant's attack some meaning but it doesn't wash. Ultimately, the film uses both story threads to wimp out. Caesar beats the mutants back but doesn't kill any of them, doesn't take prisoners, and allows them to leave. In other words, he sticks to his moral high ground. However, Aldo and his apes then show up to kill the mutants. So the bad guys get punished but the hero is freed of any consequences. Lame.
this being his third film role. He plays Virgil, the town genius who is amusing despite his smarty-pants antics.
Maybe the producers were aware that “Battle for the Planet of the Apes” felt a little thrown together. In hopes of granting the film a mythic quality, a framing device is added. Far in the future, an orangutan Lawgiver tells a mixed audience of humans and apes the film's story. Getting John Huston for this part, his reverberating voice making the narration seem more important, was a good idea. The film concludes on an ambiguous note. After the Lawgiver finishes his story, the camera zooms in on a statue of Caesar. The statue weeps. Which is super cheesy but interesting. Does Caesar's statue cry out of joy, that humans and apes eventually find peace? Or out of sadness, because that peace is ultimately impossible? It's an interesting note to take things out on, at the very least.
A television show, also starring Roddy McDowell, would air the next year. An animated series would follow the year after that. Both would only run for one season. Despite these setbacks, the “Planet of the Apes” series' place in sci-fi – and cinematic – history is secure. These older films might be slightly cheesy by modern standards but they continue to entertain and provoke thought even today. [6/10]