Wednesday, July 26, 2017
RECENT WATCHES: Escape from the Planet of the Apes (1971)
Escape from the Planet of the Apes” came up with a rather clever solution to the previous film's apocalyptic ending. What if the apes reverse-engineered Taylor's ship, went back in time, and landed on Earth in the early 1970s? The resulting film earned the best reviews out of any of the sequels, was another box office hit, and remains popular with fans. It's probably my personal favorite of the series.
A mysterious ship has crashed-landed off the Western Coast of America. It is piloted, not by humans, but apes. Cornelius, Zira, and a new character named Dr. Milo managed to escape their world before the Doomsday Bomb destroyed it, traveling through a time warp into the modern day. At first, the trio of apes hide their intelligence from the scientists. After Milo is killed by a modern day gorilla, their true intellect is revealed. Cornelius and Zira are presented to the public and become media darlings. Yet forces in Washington are concerned about what the apes' presence means for the future of mankind. When Zira reveals that she's pregnant, the apes are forced to go the run.
“Escape” seems to flee the last film's dark tone, at first anyway. After revealing their true character to the public, Cornelius and Zira become something like celebrities. This turns “Escape from the Planet of the Apes” into an diverting, fish-out-of-water comedy. McDowell and Hunter trade snippy but sweet dialogue. The apes grow use to such human amenity as fancy clothes, wine, television, and bubble baths. Zira speaks at a woman's lib meaning while Cornelius is taken to a boxing match, which he watches with bemused horror. There's even a genuinely amusing montage of the two trying on fancy clothes. The material probably wouldn't have worked if McDowell and Hunter weren't such affable actors. In execution, it's goofily charming.
Jerry Goldsmith's zippy, spy-movie score also helps facilitate that feeling.) We care about Zira and Cornelius. Their fates are important to us. The film juggles humor, suspense, and calamity in equal measure.
McDowell and Hunter are excellent in the leads but the supporting humans are pretty good too. Bradford Dillman and Natalie Trundy are likable as the veterinarians that are Cornelius and Zira's sole confidants. Eric Braeden plays Dr. Otto Hasslein, the film's de-facto villain. Braeden's performance is surprisingly complicated. He does what he must gravely, considering his severe actions as beneficial to the human race. He delivers a rant, comparing the ape problem to pollution and the proliferation of nuclear weapons, other issues that were seemingly out of control in the early seventies. Almost stealing the show is Ricardo Montalban as Armando, the kindly circus owner that takes the chimps in. Montalban's theatricality and humor adds some much needed levity to the film's darker latter half.