Monday, May 25, 2015
Recent Watches: My Name is Nobody (1974)
the westerns became more farcical. The movie that started this trend was “They Call Me Trinity,” a goofy take on the western starring Terence Hill. That movie would make Hill an immediate star and he would headline plenty of similar films, many of them buddy flicks with Bud Spencer. Just as Sergio Leone put his stamp on the Zapata western subgenre, he also had to have his say about the comedy-western. “My Name is Nobody,” which paired Hill with Leone’s “Once Upon in the West” star Henry Fonda, was not truly made by the Italian master. He came up with the concept and contributed some uncredited direction. Yet the movie, in its own silly way, is a reaction to the director’s own film, the ones that launched the genre in the first place.
Jack Beauregard is a legend of the Wild West, a gun fighter that has made himself a name with his lightening-fast trigger finger. His reputation precedes him and many newcomers want to test themselves against the master. While seeking the man responsible for his friend’s death, Beauregard comes upon an eccentric gunslinger of equal quickness that goes by Nobody. Slowly, Beauregard and Nobody take a liking to each other. The two’s adventure puts them in the path of the Wild Bunch, a hundred strong league of riders coming their way.
Well, one of the most entertaining aspects of “My Name is Nobody.” The film is a full-blown farce. Its comedy is loud, fast-paced, and very silly. An early scene has Hill casually disposing of a ticking bomb. When entering a town that’s having a carnival, he’s confronted by a man on stilts. After shooting the stilts apart, the man turns out to be a squeaky-voiced midget. Nobody tends to defend himself with sped-up slapstick comedy. He slaps attackers away, grabbing their pistols out of their holsters. Later on, a rotating mannequin in the middle of the town is similarly used to fend off some baddies. The film speeds up during these moments, turning “My Name is Nobody” into a live action cartoon. Hill’s toothy grin keeps it silly and fun. His way with absurd dialogue and rambling, nonsensical metaphors are also worth a laugh or two.
Tonino Valerii actually directed the film but Sergio Leone’s influence is obvious. There’s a few lingering close-up on actor’s face or wide-screen shots of men riding the desert. Ennio Morricone’s score quotes his music from “Once Upon a Time in the West” and “The Good, the Bad and the Ugly.” Morricone’s main score is clownish, silly, but obviously his work. However, the main influence Leone had on the film is its themes. Despite the light-hearted material, “My Name is Nobody” still concerns the end of the west. Fonda’s Beauregard is a symbol of the old west, the time of shoot-outs and white hat heroes. Hill’s Nobody represents the future, a whimsical hero for a changing world. In the final minutes, the two create a scheme to allow Fonda to retire gracefully. His voice-over explicitly high-lights the movie’s theme, of the west evolving into a bigger, crowded, safer place. (In addition to providing a relatively valid explanation for one of Nobody's earlier, rambling anecdotes.) For bonus points, the movie references Sam Peckinpah, both by name and by calling the villains the Wild Bunch.
A Genius, Two Friends and an Idiot.” Leone did some uncredited work on that one too. The two Nobody films would be the last westerns Sergio worked on, near the end of the genre’s life-span. A sunny, easy-to-watch comedy that leaves the viewer with a smile, “My Name is Nobody” is an easy recommendation for viewers looking for a different type of spaghetti westerns. [7/10]