Last of the Monster Kids

Last of the Monster Kids
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Saturday, May 31, 2008

Director Report Card: Trent Harris (1991-2000)

1. Rubin and Ed
A buddy comedy like only Trent Harris could (or would) do it. What make this movie so endlessly entertaining are its characters. Crispin Glover, one of my favorite actors, gives his greatest performance. As Rubin Farr, a person who might actually exist though I don’t think anybody but Crispin and Rubin really knows for sure, he reaches a pinnacle of weirdness. Mr. Farr seems to be a person with a history, no matter how bizarre, but he seems real. Howard Hesseman as Ed acts like he’s doing fine but is actually constantly on the edge of a nervous breakdown. He’s someone who is trying to keep his life in order. When the two personalities come together, the result is awesome. Comical flashbacks, hilariously weird dialogue, and an endless interaction between two highly interesting peoples.
But as the movie goes on, we get more then just weirdly wonderful comedy. As Rubin cries over his beloved dead cat, it’s actually a great moment. We completely, totally understand him. As Ed reaches his nervous breakdown, as he completely snaps back at his ex-wife, played by the one and only Karen Black, we get it. We believe all of it. At the end, when the two totally different people realize how similar they are and how close they have actually become, as they walk away into a dark alleyway appropriately as opposed to the sunset, you can’t help but smile. Man, how can you not love this movie? [Grade: A]

2. Plan 10 from Outer Space
Mormons, bees, motorcycles, alien sex cults. What the hell to make of this? Typical Trent Harris, of course. Lacks the weird emotional resonance of “Rubin and Ed” but makes up for it with just how wonderfully hilarious so much of it is. The movie certainly isn’t predictable. Just when you think you have the strange non-plot about sex crazed Mormons from outer space and the horrible, horrible Secret of the Bees figured out, the film goes in a completely different direction. Hell, there’s even a musical number!
Stefane Loren is quite good in the lead. I’d compare her to Alyson Hanningan with her girl next door cuteness and easy accessibility. Karen Black is the only name in the cast as the rest of the characters appear to be played by this quirky director’s quirky friends. Harris is a native Utah-ian and seems to show a real affection for the history of his home state while at the same time he has the foresight to step back and analyze. Much like the director’s first film, this has an ending that is obviously meant to complete the film on an emotional level more so then on a story level. And I’d say that’s probably a better idea. A satire of religion, sexual politics, conformity, and sci-fi b-movies, “Plan 10 from Outer Space” is highly entertaining and totally unique. [Grade: A]

3. The Beaver Trilogy
Actually filmed over a period of many years, “The Beaver Trilogy” is three different films edited together without any set-up or transition. The first is a documentary about the kind of character that can only exist in small towns. Gary Haft is a young man who likes to perform impressions. Trent meets him by chance in a parking lot. Gary longs for the camera’s attention and it’s impossible to take your eye off him. As he shows off his car, rambling on, obviously trying to make this moment last, immediately you feel some kind of connection to him. His favorite celebrity to impersonate is Oliver Newton John. In full, all singing all dancing, drag. Gary’s dream is to get on television and he seems to have that dream fulfilled as Trent Harris, then a cameraman for a local news program, agrees to record a local talent show Gary has pulled together. We watch this young man get done up in costume by the local mortician, the only person in town who can do make-up, we laugh at the ridiculousness of it all. But later, when he goes on stage and sings his song, not well mind you, but with more heart then you get out of any rock star, you are strangely impressed. It’s sort of beautiful. Maybe it’s just because you feel that his dream is finally being fulfilled or maybe it’s because he got up there and did it and didn’t worry about feeling silly. The film more or less ends there.
But, wait, no it doesn’t. The events we have just witnesses are restaged and re-performed in front of us, not once, but twice. The second time, Sean Penn plays Grooving Gary and the story has been slightly fictionalized. Penn’s performance is a dead-on imitation of the real thing. This version has an actual ending that is both sad and happy. The story gets even more fictionalized as the film folds into itself for a third time. The now renamed Grooving Larry transforms into Crispin Glover and is given a back story as the events are told from his perspective. The shooting is on a much higher film stock and shows off some interesting visual flair. The ending has been changed again and becomes more uplifting. But the story remains the same. I’m not sure what it all means but I do know that “The Beaver Trilogy” is poignant, funny, and totally unique. [Grade: A]

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